Music gross – Deimel http://deimel.biz/ Sat, 25 Sep 2021 02:15:00 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://deimel.biz/wp-content/uploads/2021/06/cropped-icon-32x32.png Music gross – Deimel http://deimel.biz/ 32 32 The story behind ‘Star Trek: Enterprise’ and its infamous intro song https://deimel.biz/the-story-behind-star-trek-enterprise-and-its-infamous-intro-song/ https://deimel.biz/the-story-behind-star-trek-enterprise-and-its-infamous-intro-song/#respond Sat, 25 Sep 2021 02:15:00 +0000 https://deimel.biz/the-story-behind-star-trek-enterprise-and-its-infamous-intro-song/ Youtube The show’s producers shared a version of the “Enterprise” opening featuring U2’s “Beautiful Day”. For the “Star Trek“The franchise, the music for the TV shows and the movies was something that helped set Trek apart. From the start, Trek had a different sound for their first series. Composed by Alexandre Courage, the “Star Trek” […]]]>

Youtube

The show’s producers shared a version of the “Enterprise” opening featuring U2’s “Beautiful Day”.

For the “Star Trek“The franchise, the music for the TV shows and the movies was something that helped set Trek apart. From the start, Trek had a different sound for their first series. Composed by Alexandre Courage, the “Star Trek” theme was written in November 1966 and has become a iconic piece of music.

Scientific research has proven that music “guides the audience in certain ways, for example emotionally, and it enriches and deepens their experience of the film. Thanks to research carried out by Teacher. Nanette Nielsen at the University of Oslo, there is solid research that says that music “always plays on something deep within us and is therefore capable of moving us”.


The theme of “The Next Generation”


Star Trek: The Next Generation Theme (HQ)The music for the main theme of Star Trek: The Next Generation Composers: Jerry Goldsmith, Alexander Courage. Arrangement: Dennis McCarthy Album: 1994 Album on Amazon: amazon.com/Star-Trek-Next-Generation-Vol/dp/B000QZVL342012-01-10T08: 17: 57Z

“Even when we are sitting alone in a room, alone and listening, we still have our thoughts and our imaginations,” Nielsen said, in a report on some of his research. “Music can work in a powerful way to evoke memories and ideas and thus engage our thoughts and feelings. Music can simply help shape the stories of our lives.

Since it is scientifically proven that music can “engage” people’s “thoughts and feelings”, it is no wonder that “Star Trek” music, according to writer Alasdair Stuart, “did an incredible job of encapsulating the spirit and scope of the shows.”

That is, with the exception of the theme of “Star Trek: Enterprise”. This is the theme that seems to be cited more than any other as eccentric in the bunch. Even if a StarTrek.com official survey rated Courage’s theme lower than the music for “Enterprise”, it is the latter that always draws the wrath of Trek fans.

According to ComicResources, upon hearing the new theme in 2001, fans “reacted as the Trekkies sometimes do: with anger, rejection, and organized demands to replace the song with something else.”

The song was never replaced, but it was changed slightly. Newsweek said the updated version sounded like “smooth jazz-pop”, but the lyrics were the same.


“It’s been a long road …”


Star Trek: Company Theme SongStar Trek: Company Theme Song2010-03-27T23: 43: 40Z

The story behind which co-executive producer Rick Berman chose “Where My Heart Will Take Me” is well known. Thanks to the book by Mark A. Altman and Ed Gross, “The Fifty Year Mission: The Next 25 Years”, Berman wanted to try something different and stubbornly wouldn’t change his mind.

“I wanted the animation at the opening instead of just the space-flying thing that had been in all the other ‘Star Trek’ shows,” Berman told Altman and Gross. “Our visual effects specialists produced an incredible visual montage. “

Berman contacted Diane warren, composer, lyricist and fan of “Star Trek”. She authorized Berman to use “Where My Heart Will Take Me”, originally written for the Robin Williams movie, “Patch Adams. “The song was originally performed by Rod stewart.

They hired a British pop singer Russell watson to record the “Star Trek” version of the song.

“We recorded the song and put it in the animation, and everyone thought it was great,” Berman said. “And the audience hated it.”


U2’s “Beautiful day”


U2 – Beautiful Day (Official Music Video)REMASTERED IN HD! The official video for Beautiful Day by U2. Discover The Making Of Beautiful Day – youtu.be/zm-5lK-16_A Shot in August 2000 at Charles de Gaulle airport in Paris, the first video for the album All That You Can’t Leave Behind was produced by Jonas Åkerlund and was created the following month. Explore the …2009-12-23T16: 51: 44Z

Before the cut was attached to Watson’s song, the cast and crew got to see a different version of the show’s opening. This version featured the number one hit from Irish pop group U2 – “Magnificent day.

When “Enterprise” screenwriter and producer Mike Sussman seen the U2 version, he reacted quite differently.

“When they showed us the opening graphics, it was on U2’s ‘Beautiful Day’, which is an amazing song,” Sussman says Gross and Altman. “It comes back to the people who run the franchise saying, ‘We have to do something different. We have to shake it up. And sort of shake it up in several bad ways. “

Co-executive producer Brannon Braga also liked the U2 version better than what was ultimately created with Watson.

“If we had used it – or if we could have afforded it – this would have been a great song,” Braga said in “The Fifty Year Mission: The Next 25 Years. “

“These main titles with U2 are amazing,” said Braga. “It’s hip and cool, while the song we ended up with is horrible. I’m a huge fan of Diane Warren, she’s a great songwriter, but that particular song and the way it was sung was out of date.

“I always cringe when I hear it and, by the way, I think the song has a lot to do with people’s negative reaction to the show,” Braga said. “If you look at the main titles themselves, it’s a really cool streak. But the song is awful, just awful.

As Braga noted, the show’s budget couldn’t afford to allow U2’s song – which had already been used for many projects, including the 2000 Sydney Olympics. Sussman also told Gross and Altman that Diane Warren let Berman use “Where My Heart Will Take Me” for “next to nothing.”

READ NEXT: The Side Effects of the Skimpier Costume in “Star Trek” History




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Auto shows and more – The Lima News https://deimel.biz/auto-shows-and-more-the-lima-news-2/ https://deimel.biz/auto-shows-and-more-the-lima-news-2/#respond Fri, 24 Sep 2021 17:00:22 +0000 https://deimel.biz/auto-shows-and-more-the-lima-news-2/ • Sunday (weather permitting): Gathering of Mustangs, 6 p.m. to 8 p.m., in the parking lot behind McDonald’s, 941 N. Cable Road, Lima. Free entry. All Mustangs are welcome, new, old or modified. There will be food and drink as well as ice cream available for purchase at three restaurants. Sponsored by Mustang Maniacs of […]]]>

Sunday (weather permitting): Gathering of Mustangs, 6 p.m. to 8 p.m., in the parking lot behind McDonald’s, 941 N. Cable Road, Lima. Free entry. All Mustangs are welcome, new, old or modified. There will be food and drink as well as ice cream available for purchase at three restaurants. Sponsored by Mustang Maniacs of NW Ohio. For more information, contact Chris Schimpf at 419-230-4505.

Monday (weather permitting): 6-8 p.m., Buffalo Wings & Rings “Monday Night Car & Bike Night” – 1939 Roschman Ave., Lima. There are door prizes and a 50/50 raffle. Great food and fun with rock and roll music, benefiting the West Ohio Food Bank. For more information, contact Greg Cook, 419-230-9718.

Wednesday: Happy Daz Cool Car Cruise-In, 5 p.m. to 8 p.m., Happy Daz, 802 S. Cable Road, Lima. For more information, contact Chris Schimpf at 419-230-4505.

Friday evenings: Buckeye Cruisers car and bike party, 5 pm-8pm, Tom’s Detailing, 770 Shawnee Road, Lima. Cars and motorcycles welcome. With a 50/50 raffle and a live DJ. All proceeds will go to Deb’s Dogs. For more information, contact Richie Crouch at 419-233-1867 or John Gross at 567-712-1804.

Saturday October 2: Third Annual Veterans Car Show, 12:00 p.m. to 4:00 p.m., Reineke Ford Lincoln, 1360 Greely Chapel Road, Lima. Rain or sun. Registration is $ 10 per vehicle and all vehicles / motorcycles are welcome. There will be shows throughout the afternoon and several trophies will be awarded. All proceeds go to the Northwestern Ohio Veterans Food Pantry. The all-new Ford Bronco will also be on hand for a visit.

Saturday October 9: Fifth Annual Cruise 696 Customs Halloween Trick or Treat, 2:30 p.m.-6 p.m., Main Street, Cairo. Participants are asked to hand out candy, and costumes are optional. There is no registration fee, but donations are accepted. There will be cart rides, food and drink, music, raffles and door prizes. The profits will be donated to local charities. For more information, contact Rick Davis at 419-236-4297 or email: ricklcc@yahoo.com.

Saturday October 16: Lima Inc. Downtown Classic Car Show and Chicken BBQ, 12 p.m. to 4 p.m., in Allen County Children’s Services parking lot, southwest corner of Spring and Main streets, Lima . Registration is $ 10 and runs from 11:30 am to 12:30 pm Judging begins at 1:00 pm and prizes will be awarded at 3:45 pm There will be barbecue chicken dinners courtesy of Fat Kid BBQ. Tickets are $ 10 for a half chicken dinner, two sides, a bun and butter. For more information, contact info@visitdowntownlima.com or call 419-222-2686.

Share your auto show news by emailing info@limanews.com, faxing 419-229-2926, or mailing Car Shows c / o The Lima News, 3515 Elida Road, Lima, OH 45807.


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12 things to do from September 24 to 30 https://deimel.biz/12-things-to-do-from-september-24-to-30/ https://deimel.biz/12-things-to-do-from-september-24-to-30/#respond Fri, 24 Sep 2021 04:44:07 +0000 https://deimel.biz/12-things-to-do-from-september-24-to-30/ There are few things cuter than a dachshund except maybe a dachshund in a costume? In a parade? It all can be seen on Saturday at the 13th annual Doxie Day at Barnstable. If small dogs aren’t your interests, there are plenty of other events around Cape Town this week as well. History is in […]]]>

There are few things cuter than a dachshund except maybe a dachshund in a costume? In a parade? It all can be seen on Saturday at the 13th annual Doxie Day at Barnstable.

If small dogs aren’t your interests, there are plenty of other events around Cape Town this week as well. History is in the spotlight at Autumn at the Manse in Dennis, with history and culture available on the inaugural Wampanoag Cultural Celebration Day, a day-long festival in Falmouth.

The Love Local Fest will take over a part of Hyannis; you can find out more about the books at Brewster and online; enjoy the tales of Christine Ernst in Cotuit; listen to poetry in Truro; see the latest art exhibit at Dennis; and enjoy a variety of types of music in Sandwich, North Truro and Mashpee. Some highlights:


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From Billie Eilish in New York to BTS in Seoul, Pop Celebs Use Music to Raise Climate and Vaccine Awareness https://deimel.biz/from-billie-eilish-in-new-york-to-bts-in-seoul-pop-celebs-use-music-to-raise-climate-and-vaccine-awareness/ https://deimel.biz/from-billie-eilish-in-new-york-to-bts-in-seoul-pop-celebs-use-music-to-raise-climate-and-vaccine-awareness/#respond Thu, 23 Sep 2021 12:55:00 +0000 https://deimel.biz/from-billie-eilish-in-new-york-to-bts-in-seoul-pop-celebs-use-music-to-raise-climate-and-vaccine-awareness/ PARIS: From Billie Eilish in New York to BTS in Seoul to Elton John in Paris, some of pop’s biggest names on Saturday unite their star power for Global Citizen Live, a worldwide event to raise awareness about climate change, equality of vaccines and starvation. Concerts taking place in London, Lagos, Rio, Sydney, Mumbai and […]]]>
PARIS: From Billie Eilish in New York to BTS in Seoul to Elton John in Paris, some of pop’s biggest names on Saturday unite their star power for Global Citizen Live, a worldwide event to raise awareness about climate change, equality of vaccines and starvation.

Concerts taking place in London, Lagos, Rio, Sydney, Mumbai and more will be broadcast worldwide for the event, which will coincide with the United Nations General Assembly this week.

The star-studded line-up will also push for action at the G20 next month and the COP26 climate meeting in November.

Eilish, Coldplay and Jennifer Lopez will perform in Central Park in New York, where British Prince Harry and Meghan Markle will also be on stage.

Stevie Wonder will perform in Los Angeles, while Ed Sheeran will headlining in Paris alongside Elton John, Black Eyed Peas and Stormzy.

And there will be pre-recorded performances from BTS in South Korea, superstar DJ Alok in Rio, Kylie Minogue in London and Andrea Bocelli in Tuscany.

“On six continents, artists will help rally citizens by demanding that governments, big business and philanthropists work together to defend the planet and overcome poverty,” the NGO Global Citizen said in a statement.

He said he was focusing “on the most pressing and interrelated threats that hit people in poverty hardest – climate change, vaccine equity and starvation.”

Many other artists – including Metallica and The Weeknd – are also involved, whether through live or filmed performances.

Global Citizen has said he wants a billion trees planted, a billion vaccines delivered to the poorest countries and meals for 41 million people on the brink of famine.

The organization has been behind other large-scale charity events, including “Vax Live: The Concert To Reunite The World” earlier this year in Los Angeles.

It brought together musicians, actors, celebrities, world leaders and even the Pope, in a united call for global vaccination to fight Covid-19.

Global Citizen describes itself as a movement with a mission to end extreme poverty by 2030.

Its app uses incentives such as concert tickets to encourage users to lobby governments on issues of sustainability and equality.

The head of the World Health Organization, Tedros Ghebreyesus, gave his support to the latest campaign, calling for equality of vaccines.

“We are now facing a two-way pandemic of haves and have-nots,” he said.

“We cannot ignore this blatant injustice or become complacent.”


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80 Acre Kennett Square Horse Farm Home for Sale https://deimel.biz/80-acre-kennett-square-horse-farm-home-for-sale/ https://deimel.biz/80-acre-kennett-square-horse-farm-home-for-sale/#respond Wed, 22 Sep 2021 21:46:19 +0000 https://deimel.biz/80-acre-kennett-square-horse-farm-home-for-sale/ New The lavishly appointed and beautifully appointed Fox Hill farmhouse features a 21st century mansion imported from the 18th century. Sign up for our weekly home and property newsletter, featuring homes for sale, neighborhood events, and more. This colonial house seems to have been around for around 250 years, but it is only 15 years […]]]>

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The lavishly appointed and beautifully appointed Fox Hill farmhouse features a 21st century mansion imported from the 18th century.


This colonial house seems to have been around for around 250 years, but it is only 15 years old. Only its very modern amenities bring the game to life inside the Estate Home at Fox Hill Farm, 380 Upland Rd., Kennett Square, PA 19348 | Photos: Ric Castro, Virtual Vista Real Estate Photography, via * Bright MLS (including this photo) and Holly Gross Group, BHHS Fox & Roach Realtors

Kennett Square is better known for mushrooms than horse farms, but the riding country of Chester County surrounds it, so this Kennett Square horse farm for sale shouldn’t feel out of place for the area in general.

And even. Even though it sits in the middle of Cheshire Hunt country, the beautiful and elegant 21st century colonial mansion that serves as the heart of Fox Hill Farm seems to me to fit best about 10 miles northeast of where it turns out that.

That’s right, I said “21st century”. The owners of this fabulous farmhouse had this 18th century house imported by one of County Chester’s best-known traditional architects. And maybe I’m hairstyling on its location, because as BHHS Fox & Roach Realtors co-listing agent Stephen Gross explains, there are plenty of houses like this not so far away.

“When the current owners bought the property, there was a lovely old brick house here,” he explains. “They demolished this house and then had it built. It was in 2006.

“It was designed by Richard Buchanan from Archer & Buchanan of West Chester, ”he continues. “It was designed to evoke some of the grandest homes in the greater Brandywine area, à la du Ponts.”

And since one of the largest houses on the Bridge, the Mansion of Longwood Gardens, is a few miles east-southeast of here, it might not really be out of place.

Buchanan brilliantly channeled this 18th-century grandeur into this house, but he gave it some twists and turns that also tie it to the colonial vernacular tradition in which renowned architects like Bognard Okie, who enlarged South Brook Farm (now Penn’s New Bolton Center) near here, worked.

As you explore the rooms of this grand estate, notice where formal elegance and more rustic simplicity blend together.

house for sale kennett square horse farm home

Foyer

The fireplace is pure elegance with its Italian marble floor.

house for sale kennett square horse farm music room

Music chamber

house for sale kennett square horse farm salon

Salon

The music, living room and dining rooms are equally elegant, but they also have a touch of informality in their unevenly laid herringbone floors, made of oak salvaged from old French estates. Uneven planks give floors an extra texture that makes them stand out.

house for sale kennett square horse farm dining room

Dining room*

The formal dining room also feels exceptionally open thanks to its large windows that overlook the side and back yards.

house for sale kennett square horse farm family room

The dining room*

The informality goes all the way to the vernacular in the family room, which has a plank floor of random width; soils of this type are more often found in communal farms from the beginning of the 18th century.

house for sale kennett square horse farm kitchen

Food

And the rustic farmhouse aesthetic takes precedence in the kitchen, where raw beam ceilings, farmhouse sinks, wide-plank hardwood floors, and butcher’s block countertop inserts give the space a informal atmosphere.

master bedroom

Master bedroom

You will find a similar informal character in the master suite, with its clean lines, simple cross beams and oak floors.

main bathroom

Main bathroom

Its bathroom has a shower, a hammam, a bathtub, two basins and two separate WC cupboards. And, of course, it has a huge walk-in closet.

There are four further bedrooms, two with en-suite bathrooms, on the second floor. The third floor contains two further bedrooms, one with an en-suite bathroom and the other with a powder room. If you want, you can make this your home business receptionist’s office as it is next to the home office on this floor.

“What you feel in this house is that each room really has its own identity, and each room really has its own atmosphere, but at the same time, it all blends in,” says co-listing agent Stewart Gross.

Yet while many rooms have a simple, rustic, and no-frills feel, this is certainly a grand estate house. This means he’s loaded with treats in his basement as well.

home theater

Home theater*

There you will find a games room and lounge, a gym and the Arabian Nights themed home theater you see above. The games room has patio doors which open onto a sunken garden.

wine cellar

Wine cellar*

You will also find a huge temperature-controlled wine cellar and a tasting room with reclaimed brick flooring.

back porch

Back porch *

rear terrace

Rear terrace *

At the back, a covered porch and an enclosed patio provide space for dining and entertaining.

view of the pond from the back porch

View of the pond from the back porch *

The porch offers a view of the property’s pond.

Bowl

Pool

To the right of the porch is a tennis court, swimming pool and gazebo.

stables

Stables *

indoor arena

Indoor arena *

And the horse farm is on the left. It consists of a stable of 16 stalls, an indoor arena with 11 additional stalls, an outdoor arena, a dressage ring and a cross-country course. In other words, everything you need to breed Olympic champion horses.

On second thought, maybe this Kennett Square Horse Farm for sale is exactly out of place. It’s grand, and it’s elegant, but it doesn’t go overboard like some of those homes in Radnor Hunt country do. Kudos to Archer & Buchanan for composing a wonderful modern mixtape of a traditional 18th century colonial house. Bognard Okie, whom Buchanan cites as one of his influences, would approve.

THE FINE PRINTING

BEDS: 7

SPA: 5 full, 4 half

SQUARE FEET: 7,536

SELLING PRICE: $ 6,875,900

380 Upland Rd., Kennett Square, Pennsylvania 19348 [Holly, Stephen and Stewart Gross | The Holly Gross Group | BHHS Fox & Roach Realtors]


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Billionaire Bill Gross testifies legal feud makes him feel ‘like in prison’ at his Laguna Beach home – Orange County Register https://deimel.biz/billionaire-bill-gross-testifies-legal-feud-makes-him-feel-like-in-prison-at-his-laguna-beach-home-orange-county-register/ https://deimel.biz/billionaire-bill-gross-testifies-legal-feud-makes-him-feel-like-in-prison-at-his-laguna-beach-home-orange-county-register/#respond Tue, 21 Sep 2021 23:46:49 +0000 https://deimel.biz/billionaire-bill-gross-testifies-legal-feud-makes-him-feel-like-in-prison-at-his-laguna-beach-home-orange-county-register/ Mega-investor Bill Gross said on Tuesday that an embarrassing video of him that became public during a trial last year recently led him to refuse to come out of a swimming pool at his Laguna Beach home to speak to police officers investigating a noise complaint related to a very contentious battle with his seaside […]]]>

Mega-investor Bill Gross said on Tuesday that an embarrassing video of him that became public during a trial last year recently led him to refuse to come out of a swimming pool at his Laguna Beach home to speak to police officers investigating a noise complaint related to a very contentious battle with his seaside neighbor.

Gross – the billionaire founder of Pimco and legend of the bond industry – described feeling “like in a prison” in his own home thanks to an alleged high-decibel feud with a neighboring tech entrepreneur that led a judge to issue an injunction against Gross and his wife last year.

Gross also lamented the public release at a previous court hearing of a video of him squatting and appearing to dance to rapper 50 Cent’s “In Da Club” while wearing shorts. Gross, now 77, said he wanted his business acumen and philanthropic largesse remembered, not the high-profile dispute between two wealthy neighbors.

“I’ve tried to have a reputation to die for, and it’s not constructive,” Gross said.

Gross and his wife, former professional tennis player Amy Gross, are accused by their neighbors – Mark Towfiq and his wife, Carol Nakahara – of violating a court order by playing loud music on their property on July 7 . following allegations that Gross was playing loud loops of music, including the theme song “Gilligan’s Island”, after Towfiq complained to the city about a large unauthorized lawn sculpture installed on Gross’s property.

Gross and his attorneys argue that Towfiq “armed” the court order to micromanage what they can do on a property they bought to escape their primary residence in Newport Beach. Gross’s attorneys accused Towfiq of being “unusually interested” in Gross and of improperly filming Bill and Amy Gross on their property.

“I’m afraid to go into my backyard because I’m being watched 24/7, or registered,” Amy Gross said. “This neighbor kicked me out of my own house.”

Despite tensions with his neighbor, Bill Gross testified that he had no plans to give up what his wife described as a “dream house”.

“It’s a very special house, and yes, it’s a privilege to have a special house,” said Bill Gross. “We don’t want to leave. We won’t be leaving.

Last week, Towfiq testified that on July 7, he and his wife were relaxing in their bedroom when they heard loud rock music coming from Gross’s backyard. Body camera footage of officers called to the scene captured them saying they could hear the music above the din of traffic on the adjacent coastal road, and one officer said “that’s kind of people they are “after Gross and his wife refused to speak to them.

Bill and Amy Gross testified that on the night of the noise complaint, they had dinner at their house with a close friend who celebrated their recent wedding, and then decided to go swimming. The couple said the outside music was momentarily too loud when they first turned it on, but claimed they turned the volume down within seconds.

Since Gross has been charged with violating a court order, the potential stakes at the hearing have increased, as well as the burden of proof. If a judge admits that a person has committed contempt of court, he or she has the discretion to fine them or even order them to serve short stays in prison.

Orange County Superior Court Judge Kimberly Knill is once again presiding over the case, which oversaw the previous round of civil hearings and issued the current restraining order.

Gross’s testimony became irritable at times, especially after he called one of Towfiq’s attorneys a “dude” and accused the attorney of laughing while Amy Gross was on the stand. Judge Knill quickly ended the exchange.

Gross, in a statement to her financial supporters shortly after the issuance of the restraining order, dealt a public blow to Judge Knill, describing her as a “bona fide” judge suspended on the shore. ” Knill said Tuesday she was aware of the comments, but did not allow a lawyer representing Towfiq to question Gross about them.

“I don’t need to hear from Mr. Gross why he wrote these things about me,” the judge said.

The judge ordered lawyers to return to court on Friday for oral argument from the final round of hearings and said she planned to issue a ruling a week later.


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The difficult return of Jazz Education https://deimel.biz/the-difficult-return-of-jazz-education/ https://deimel.biz/the-difficult-return-of-jazz-education/#respond Tue, 21 Sep 2021 17:52:17 +0000 https://deimel.biz/the-difficult-return-of-jazz-education/ By Terry PerkinsISeptember 21, 2021 Miles Osland of the University of Kentucky rehearses his group in accordance with COVID protocols. (Photo: ) Since mid-March 2020, the COVID pandemic has changed the landscape of jazz education at universities and colleges in the United States. The transition from in-person classroom instruction, rehearsals and performances to distance education, […]]]>

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Miles Osland of the University of Kentucky rehearses his group in accordance with COVID protocols.

(Photo: )

Since mid-March 2020, the COVID pandemic has changed the landscape of jazz education at universities and colleges in the United States. The transition from in-person classroom instruction, rehearsals and performances to distance education, online rehearsals and virtual concerts happened almost overnight, as jazz study programs improvise and adjust to meet the challenge.

DownBeat recently spoke with five jazz educators from across the country to explore how their programs are adjusting, the lessons learned from this process, and the strategies in place for a hopeful return to in-person teaching for the next academic year.

Trombonist Conrad Herwig, Head of Jazz Studies at Rutgers University’s Mason Gross School for the Arts, explained how the immediate transition to distance learning in the spring of 2020 laid the groundwork for the program’s preparation for the academic year 2020-2021.

“We were a model of a traditional jazz conservatory and had to go overnight to emergency distance learning,” Herwig said. “Over the summer we wanted to move to what we call a 21st century online program. Instead of an emergency bandage, we wanted to reinvent the way we teach. We held a three-day jazz tech camp for students that focused on audio and video technology and pre-sent items such as USB mics and visual interfaces. Lots of students had GarageBand or Logic, and we started working with an online digital collection portal called Band Lab.

“Every two weeks we would start with a song, lay out basic tracks and the rhythm section played at the same time to create rough tracks. The second week we called the track refined, and the students were playing against each other, finding nuances and coming up with ideas. At the very end, the rhythm section could come back, feel that interaction and freshness and add the finishing touch.

For Darden Purcell, director of jazz studies and vocal professor at George Mason University, it was important to try to come back in person as much as possible for the 2020-’21 academic year.

“Some aspects of online education have specific strengths,” Purcell said. “But I like to teach in person and see smiling faces behind masks. There is so much about posture and breathing involved in teaching singers, that you cannot see through a computer screen. We ran sets one day in person and one day online each week, moved sets to large stages with better HVAC systems, and rotated the rooms to air them out between classes. We were hoping that we could fully come back in person, but we stayed in hybrid mode all year, which I think was a good move.

Miles Osland, director of jazz studies and saxophone professor at the University of Kentucky, was able to maintain full in-person rehearsals for students last year.

“We used social distancing and masks and moved large ensembles to the concert hall stage so that they could spread out,” he said. “We even had large vocal groups spread across the seating area of ​​the 1,200-seat room for safe rehearsal. For the combo rehearsals, I found a room with the right capacity, measuring six feet – nine feet for the trombones – and placed the saxophones closer in a U-shaped situation. We were pleased with the result. . “

In terms of lessons learned from teaching jazz studies last year, Janice Borla, director of vocal jazz at North Central College in Napierville, Ill., Highlighted the challenges as well as the opportunities offered by technology in line.

“Our students were everywhere when it came to technology,” Borla explained. “Some even used their phones. We all used Zoom and Vox to function, focusing on pre-recorded and live-broadcast concerts. And the teachers expressed how much more time it took to prepare for the lessons, because they had to approach things in a very different way.

“The good news is that we have all been very aware of the technology available, and it has given us a whole new perspective. Personally, I was initially reluctant to embrace online technology, but I had no choice, and it became very interesting. Going forward, I know we will be using a live streaming component even when we resume teaching in person.

Saxophonist Bob Mintzer, professor of jazz studies at the Thornton School of Music at the University of Southern California, also noted that technology cannot replace the importance of live rehearsals for jazz students, but that she can deliver the next best thing.

“As director of the Thornton Jazz Orchestra, I went through our usual meeting format twice a week for two hours, but instead of meeting each other live, we met on Zoom,” Mintzer said. “And I really encouraged all the students to become composers and arrangers. And it went well beyond composition and arrangement because each member of the group recorded their part remotely.

“The precision and musicality necessary to record convincingly is a real discipline that you don’t necessarily master with a live ensemble. And since you are recording remotely, you might hear a main part of a player in your section and need to match them. And it takes a certain amount of ESP to figure out how to place your part so that everything makes sense when put together. And finally, they had to learn to mix and make a video for the melody. The students were really stretching and exploring other disciplines.

Herwig also saw his jazz students become much more knowledgeable about music technology.

“As tech savvy as students are in many fields, we found that they were not as knowledgeable in music technology and video recording production,” Herwig said. “So one lesson we learned is that students are now really a lot more independent. Some of them even found jobs as assistant engineers and in video production. It’s like having a whole different palette.

For Purcell, the hybrid combination of live and online teaching at George Mason reinforced his belief that vocal students need to interact more with instrumental students.

“I always felt very strongly that vocal jazz students and instrumental students should take lessons together,” she said. “So I wanted to make sure that we made every effort during blended education for them to take lessons together. Every student needs to feel the strengths and challenges faced by other musicians, whether singers or instrumentalists.

Osland missed the visit of visiting artists to the university in person, but was happy that the master classes could be held through Zoom.

“The musicians were unable to tour during the pandemic, so a lot of them were looking for things to do,” he said. “We had a great Zoom class with Adam Larsen, and although we missed his live presence and the jam session aspect, it was still a real treat for the students.”

All five programs plan to return to live teaching as much as possible for the 2021-2022 academic year. However, the delta variant and rising COVID infection rates are cause for concern.

“North Central plans to go in person,” Borla said. “But unfortunately we are facing these new concerns with COVID. And I expect things to evolve. I know that even though we have live performance, we will be exploring and implementing live streaming components.

“To USC and Thornton, the message was sent in early summer that we plan to teach in person this fall, but in some kind of modified structure,” Mintzer said. “But it’s very fluid, and everything could change. We try to be optimistic, but we are still working on how to treat certain instruments and singers. Let me put it this way, we don’t get rid of our Zoom accounts. “

“We anticipate that the new semester will be live and in person at Rutgers,” Herwig said. “All the students need to be vaccinated, so we’ll rehearse together. But we invested a lot last year in teaching with technology and we don’t want it to be wasted. We expect each student to complete a virtual recording project during the year. We will have the hybrid of the traditional conservatory and the virtual. And if we have to come back online, we are empowered.

“At George Mason, we are 100% getting back to the person as much as possible,” Purcell said. “We are monitoring the delta variant and everyone must be vaccinated to participate in person on campus. I can’t wait to have two days of rehearsals a week and face-to-face classes. I’m excited, and the students are excited. We want to give them the experience they want, fingers crossed.

“In Kentucky, we plan to have in-person instruction and concerts with a live audience,” Osland said. “But who knows? I was just talking to the dean, and we’re placing another order to play masks. We need to be fluid and prepare to go with the flow. Comics



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Launch of a popular music industry development initiative in Mount Gambier https://deimel.biz/launch-of-a-popular-music-industry-development-initiative-in-mount-gambier/ https://deimel.biz/launch-of-a-popular-music-industry-development-initiative-in-mount-gambier/#respond Tue, 21 Sep 2021 04:40:59 +0000 https://deimel.biz/launch-of-a-popular-music-industry-development-initiative-in-mount-gambier/ The town of Mount Gambier will focus on live music over the coming months with the launch of ‘Live and Local’ – a local music industry development initiative. The first of its kind for regional South Australia, ‘Live and Local’ is a proven model that aims to support the growth of live music on-site by […]]]>

The town of Mount Gambier will focus on live music over the coming months with the launch of ‘Live and Local’ – a local music industry development initiative.

The first of its kind for regional South Australia, ‘Live and Local’ is a proven model that aims to support the growth of live music on-site by providing unique performance opportunities and professional development activity for local communities. live music.

The Town of Mount Gambier will partner with the Live Music Office and APRA AMCOS to implement the program which has been assisted by the Australian government through the Australian Council for the Arts, its arts funding and advisory body.

Further support for the project was made possible by the Innovation and Skills Department through the Music Development Office.

Mount Gambier Town Manager, City Growth, Tim Coote, said the program is an opportunity to grow the local music industry by bringing together local musicians, businesses and the community.

Coote said that “Mount Gambier has an exciting opportunity to continue to grow as a city of live music and we understand the importance of fostering strong relationships between local musicians, venues and audiences to strengthen our local industry. . “

The Mount Gambier Live and Local program will consist of a series of micro-festival music events complemented by dedicated skills and professional development workshops, a local industry roundtable and support for the development of a plan. action for live music informed by experience, engagement and information gained. through the program.

Coote added “Due to COVID-19, local venues and artists have had a tough run over the past few years, so we are thrilled with the opportunity to safely re-energize our live music scene and explore how we can continue to build live music in our region in the future.

Driven by the perspectives of Live and Local, Monica Hart, recently appointed as Head of the City of Mount Gambier Live Music Project, said the project will create paid performance opportunities for local musicians in a range of activated spaces. during micro-festivals.

Hart said, “We are launching a call for expressions of interest from local musicians who would be interested in participating in the professional development and performance opportunities that the project will create.

“Micro-festivals are particularly suited to soloists, duos or small trios who can easily activate unique local businesses in and around the CBD as part of these events. “

“This is a fantastic opportunity for our live music champions to come together to inject more dynamism into our CBD and help define the ingredients needed to continue building a thriving live music scene for Mount Gambier. “

South Australian Minister of Innovation and Skills, David Pisoni, welcomed the opportunity to support the initiative with a contribution of $ 19,000 for the management and delivery of the project in Mount Gambier.

“Live music is an essential part of the cultural fabric of our communities, and we are delighted to help the town of Mount Gambier seize the opportunities that the Live and Local initiative will present to strengthen the building of a local music sector. dynamic and sustainable. Added Minister Pisoni.

Local musicians are invited to express their interest in participating in the program by registering on www.haveyoursaymountgambier.com.au/liveandlocal

Image: Live and local task force members (back – left to right) Isaac Bruggeman, Jason Flint, Natasha Little, Marie Holmes, Taylor Fry and Trish Bruggeman with the Town of Mount Live Music Project Manager Gambier Monica Hart (front) onsite at Body Fit Training – one of the micro-festival’s upcoming music event venues.

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September 7, 2021 – Port Macquarie-Hastings Council encourages musicians and venues to support the local live music program

September 2, 2021 – 22 concert halls across Queensland receive government funding

August 10, 2021 – National Live Music Awards postponed to 2022

August 4, 2021 – The Darwin Festival will offer a diverse and dynamic program including circus acts and live music

June 16, 2021 – Sunshine Coast concert hall owner criticizes inconsistent COVID-19 safety rules

May 24, 2021 – Concert halls in Sydney and New South Wales to receive government funding boost

May 19, 2021 – Christchurch opts for one-day, one-location Go Live music festival

May 6, 2021 – 21 concert halls across Queensland receive government funding

April 27, 2021 – Grants offered to support live music and community events in Wollongong

March 22, 2021 – Australian Live Music Business Council calls on government to ease COVID restrictions on premises

March 15, 2021 – Newcastle’s live music sector receives additional funding

March 11, 2021 – The Bluesfest team shares their enthusiasm for the return of live music

January 5, 2021 – Gold Coast Council announces grants to promote live music

December 16, 2020 – Coronavirus halted a booming year for Australia’s live music industry

November 30, 2020 – Coopers Brewery helps the live music industry bounce back from COVID-19

November 5, 2020 – Save Our Stages NSW calls on the public to help save the state’s live music industry

October 29, 2020 – Gold Coast Hosts Return of Live Music with New Summer Music Festival

23 October 2020 – Investigation shows more than 400 Australian live music companies threatened with imminent closure

October 8, 2020 – NSW Concert Halls Unite in Save Our Stages Campaign

September 20, 2020 – Concert Halls to Benefit Industry from $ 13 Million Victorian Government Support Program


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Bunbury celebrates 35 years of music with American tour of 16 cities https://deimel.biz/bunbury-celebrates-35-years-of-music-with-american-tour-of-16-cities/ https://deimel.biz/bunbury-celebrates-35-years-of-music-with-american-tour-of-16-cities/#respond Mon, 20 Sep 2021 19:29:00 +0000 https://deimel.biz/bunbury-celebrates-35-years-of-music-with-american-tour-of-16-cities/ Bunbury Enrique Bunbury launched his singing career in 1986 as a member of the legendary Spanish rock band Héroes del Silencio before leaving when the band broke up after 10 years, he released solo as Bunbury and developed his own singular career. Now he is celebrating a 35-year career with a 16-date US tour starting […]]]>

Bunbury

Enrique Bunbury launched his singing career in 1986 as a member of the legendary Spanish rock band Héroes del Silencio before leaving when the band broke up after 10 years, he released solo as Bunbury and developed his own singular career.

Now he is celebrating a 35-year career with a 16-date US tour starting May 3 – a montage titled “35 Aňos,” at the Rosemont Theater in Chicago, making stops including Brooklyn, Atlanta, Dallas, San Antonio, Los Angeles, San Jose and more before ending in Anaheim, Calif., At the House of Blues on June 6.

Tickets for the tour, produced by Live Nation, go on sale Friday, September 24 at 10 a.m. local time via Ticketmaster. Citi is the official pre-sale credit card for the “35 Aňos” tour. Citi cardholders have presale access starting Tuesday, September 21 at 10 a.m. local time via Citi Entertainment.

Bunbury has been a popular draw, particularly in Mexico but also in the United States, with the explosion in popularity of Latin music.

Prior to 2020, Bunbury averaged 7,144 tickets sold and grossed $ 283,910. Those numbers include many shows in smaller markets in Mexico, but when it appears in primary markets and large venues, it’s likely to blow them up as well.

For example, his last live appearances – three shows at the Auditorio Nacional in Mexico between October 14 and 22, 2019 – sold 24,560 tickets and grossed $ 1,174,858. His last reported US appearance to Pollstar was a sold-out show on May 4, 2018 at the Plaza Theater in El Paso, Texas, where he moved 1,799 tickets for $ 142,051 About a week before this concert, he moved sold 4,099 tickets at the Greek Theater in Los Angeles, with sales of $ 280,286.

With two albums released during the pandemic and subsequent concert closures and a live-streamed tease that sold 15,008 tickets on January 31, fans can look forward to a new live take from Bunbury – including new additions to its hard rock sound in Spanish.

On December 11, 2020, just seven months after the release of Possible, Bunbury released their 11th studio album, Curso de Levitación Intensivo, for which, in addition to working with Los Santos Inocentes, he also used experimental jazz musicians and addressed afrobeat and jazz motifs in his new music.

Bunbury says he “leaves a contemporary scene, goes to a new place. There are things in Curso de Levitación Intensivo this point that way. “

Dates of the “35 Aňos” tour:

Tuesday May 03 – Chicago, IL – Rosemont Theater

Fri, May 06 – Brooklyn, NY – Kings Theater

Sun May 08 – Washington DC – Warner Theater

Tuesday, May 10 – Atlanta, GA – Coca Cola Roxy

Thu May 12 – Dallas, TX – Toyota Music Factory

Sat May 14 – Houston, TX – 713 Music Hall

Tue May 17 – San Antonio, TX – The Aztec Theater

Sun May 22 – Tucson, AZ – Rialto Theater

Tue May 24 – San Diego, CA – The Magnolia Theater

Friday, May 27 – Los Angeles, CA – YouTube Theater

Sunday May 29 – Reno, NV – Grand Sierra Resort *

May 31 – San Francisco, CA – The Fillmore

Thu, Jun 02 – San Jose, CA – San Jose Civic

Sat Jun 04 – Las Vegas, NV – Chelsea Theater at the Cosmopolitan

Mon 06 Jun – Anaheim, CA – House of Blues

* Not a Live Nation date


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Cranberry Festival Comes Back Stronger Every Year | Cover page https://deimel.biz/cranberry-festival-comes-back-stronger-every-year-cover-page/ https://deimel.biz/cranberry-festival-comes-back-stronger-every-year-cover-page/#respond Mon, 20 Sep 2021 08:00:00 +0000 https://deimel.biz/cranberry-festival-comes-back-stronger-every-year-cover-page/ “We weren’t sure what to expect when entering this festival,” said Sue Williams, executive director of the Venango Area Chamber of Commerce at Saturday’s Cranberry Festival. Now in its 20th year, the festival has become a must-see late summer event in the oil region. Last year, Williams said, the event was held, to accommodate precautions […]]]>

“We weren’t sure what to expect when entering this festival,” said Sue Williams, executive director of the Venango Area Chamber of Commerce at Saturday’s Cranberry Festival.

Now in its 20th year, the festival has become a must-see late summer event in the oil region. Last year, Williams said, the event was held, to accommodate precautions and restrictions associated with the COVID-19 pandemic.

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